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尤倫斯當(dāng)代藝術(shù)中心 UCCA 藝術(shù)日歷 Newsletter 5.1 - 16
展覽 Exhibitions
4月4日-6月20日
奧拉維爾·埃利亞松&馬巖松——感覺即真實(shí)
UCCA大展廳
今年春季，一場(chǎng)特別為尤倫斯當(dāng)代藝術(shù)中心量身打造的大展《感覺即真實(shí)》拉開序幕。展覽由享譽(yù)藝壇的丹麥/冰島藝術(shù)家奧拉維爾·埃利亞松和才華橫溢的中國(guó)青年建筑師馬巖松聯(lián)手打造。這個(gè)裝置作品展現(xiàn)了兩位藝術(shù)家之間一場(chǎng)極富創(chuàng)造力的對(duì)話，通過互動(dòng)重新定義了藝術(shù)與建筑之間的界限。它將引領(lǐng)觀眾踏上一次奇特、非凡的旅程，引導(dǎo)我們?nèi)ブ匦聦徱暸c生存環(huán)境以及與自然界之間的關(guān)系。
April 4 - June 20
Olafur Eliasson & Ma Yansong——Feelings are facts
UCCA Big Hall
This spring UCCA inaugurates a site-specific exhibition, a result of the unique collaboration between renowned Danish-Icelandic artist Olafur Eliasson and the talented young Chinese architect Ma Yansong. This installation is the manifesto of a creative dialogue developed between the two, an interaction pushing the line between art and architecture to new limits. The final result is a breathtaking piece specifically designed for UCCA's space.
4月18日-5月20日
舒群的繪畫：一個(gè)輕于烏托邦的未來文化方案？
UCCA中央甬道
UCCA榮幸地為您呈現(xiàn)舒群個(gè)展，此次展出的工農(nóng)兵繪畫系列體現(xiàn)出藝術(shù)家獨(dú)特的視覺語(yǔ)言學(xué)魅力。舒群將其極具影響力的藝術(shù)理論應(yīng)用于當(dāng)代藝術(shù)的現(xiàn)狀之中，重新審視了中國(guó)現(xiàn)代化進(jìn)程中的弊端以及相應(yīng)的理性解決方法。他通過一系列廣為熟知的畫作呈現(xiàn)出一個(gè)通往全新烏托邦社會(huì)的未來軌跡。
April 18 - May 20
Portraits by Shu Qun:Culture for the future more attainable than UTOPIA?
UCCA Nave
UCCA is pleased to present the fascinating visual linguistics of Shu Qun in a solo exhibition of his Proletariat Series. Shu Qun introduces to the UCCA's Nave his historically influential art theory as it applies to the current state of contemporary art.
4月18日-5月20日
蘇拉西·庫(kù)索旺：金色幽靈(A Guest + a Host = a Chinese Ghost)
UCCA中展廳
蘇拉西·庫(kù)索旺為UCCA特別定制的不同尋常的裝置作品通過對(duì)人類活動(dòng)的呈現(xiàn)映射出社會(huì)消費(fèi)的現(xiàn)狀，從而打破了傳統(tǒng)的藝術(shù)形式。觀眾可以親身參與到藝術(shù)作品中，而這種情況在藝術(shù)展覽現(xiàn)場(chǎng)并不常見。通過轉(zhuǎn)換這一價(jià)值體系和藝術(shù)市場(chǎng)的結(jié)構(gòu)，庫(kù)索旺的作品帶動(dòng)了觀眾的熱情，締造了藝術(shù)作品與觀眾之間的交流。
April 18 - May 20
Surasi Kusolwong:Golden Ghost (A Guest + a Host = a Chinese Ghost)
UCCA Middle Room
Surasi Kusolwong's remarkable UCCA installation focuses on consumerism in a way of human activity that breaks with classic form. People can touch and participate in the artwork in a way that normally never happens in exhibition spaces. By reversing this system of values and the hierarchy of the art market, Kusolwong enables a fever around his work to create a commitment and exchange between art and visitor.
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